Another book-length poem has come to my attention, and although I don’t think I have the effort of will and attention to create such a thing, I do find I’m attracted to the ambition of them. This one is Dart by Alice Oswald, published back in 2002 by Faber and Faber. The Dart is a river in England, and Oswald traveled the length of it, talking with people who live by and on and with the river, and has created a chorus of these voices and the river itself murmuring and splashing through the length of the book.
In a brief intro she suggests that all the voices should be considered those of the river, but I actually found that conceit distracting. A river, after all, is not necessarily just the water running through a channel, but it’s the walls and marshes of the channel, the rocks in the way, the grasses smoothing the bottom, the fish in the grasses, the woman laying a fly along the surface with her line, the man floating on a tire, the kid kerplashing in from a rope swing. I think about The Wind and the Willows and its river, a character itself, which was the river’s own stories blended with the wind in the reeds and the River Rat in the bank and Toad splashily sculling.
Oswald’s voices include a bailiff seeking poachers, fishermen eluding the bailiff, a worker in a milk production plant that uses the river water, sailors, birdwatchers, kayakers, the dead, the living, the water, its currents. In truth, the first time through, it was not an easy read, so slippery did it move through different tones and material, although the voice changes are signaled with a note in the margin. But the second time through was smoother and I was more easily able to ride the current.
Here’s a bit from the beginning, the source, as it were:
one step-width water
of linked stones
trills in the stones
glides in the trills
eels in the glides
in each eel a fingerwidth of sea.
how water orders itself like a pack of geese goes up
first in tatters then in shreds then in threads
and shucking its pools crawls into this slate and thin limestone phase…
Not every bit has this level of movement and liquidity, but my favorite portions do. Here, memorably, terribly, the river takes a kayaker:
come warmeth, I can outcanoeuvre you
into the smallest small where it moils up
and masses under the sloosh gates, put your head…
Sleep was at work and from the mind the mist
spread up like litmus to the moon, the rain
hung glittering in mid-air…
I saw a sheet of seagulls suddenly
flap and lift with a loud clap and up
into the pain of flying, cry and croup
and crowd the light as if in rivalry
to peck the moon-bone empty
then fall all anyhow with arms spread out
and feet stretched towards the earth again.
That’s just a taste and glimpse of all that’s encountered in the book. It was a wonderful ride.